The boxes, in their many levels of depth, contain the broadly distributed symbols that allude to the ascension of diverse figures in a tragic moment of unavoidable leave-taking, the work “September 11” is another point of reference to that space through the symbolic inscription of the artistic language. The boxes associate the artist with a tragic event, September 11. There is  a common experience for artists who were born after the last decades of crisis suffered by Argentina, both inside and outside the country. Cassel resides in New York, but her identity is bound in the constant passage between her native country and the one in which she lives. The movement and the route of her migration are explored in her work – an authentic demonstration of a visual constellation acknowledged as a “hinged” identity, closing and opening to a cultural space that is her own and in which the artist finds inspiration for the initiation of her artistic trajectory.  Rosa Faccaro, Art Critic, AACA-AICA, Buenos Aires, 2007